FOREST CONNECTIONSIssue 5, Autumn 2019
Issue 5, Autumn 2019
Photos & video by John F. Williams except where noted
WELCOME TO THE
AUTUMN 2019 ISSUE
OF SALISH MAGAZINE!
This is our first anniversary issue of Salish Magazine! We hope you’ve enjoyed and learned from the last four seasonal issues.
This issue returns once again to our local forests, but it explores some of the forest creatures whose intriguing looks are a reminder of their hidden connections. There are two articles about mushrooms and their relationships with trees. There is an article about the yellow-spotted millipede, a major force in recycling tree litter. There is an article about the “ghost plant” which acts like a plant except that it doesn’t photosynthesize! And there is an article about lichen, which is mostly a fungus but it did figure out how to photosynthesize!
There are also two photo-essays. One features photos taken by participants in a Forest Foto Expedition led by our publisher John F. Williams back in June. The other is a collection of some mushroom photos to add another visual dimension to the mushroom articles.
Please enjoy the beginning of the second year of Salish Magazine! And along with our second year, we’re rolling out a feature that will make it easy for you to contribute to the financial sustainability of Salish Magazine.
Please visit our Patreon page and become a patron!
Go to Salish Magazine’s Patreon page to make a donation.
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Signing up as a patron is basically like a subscription, only it’s a monthly tax-deductible donation rather than a purchase. You can choose to pay $2/month, $5/month, $10/month, or more. The current issue of Salish Magazine is free, and your Patreon subscription will entitle you to access the archives of past issues and to other fringe benefits as well.
In case you hadn’t noticed, Salish Magazine contains no advertisements to distract from the stories we bring you about our natural world. But the costs of producing and delivering the magazine have to be paid somehow, and signing up for a monthly donation through Patreon is an effective way to help us. If, for some reason, that route isn’t your cup of tea, and you’d like to just make a direct donation to us, you can do that through the Participate page on SEA-Media.org.
Thanks so much for your interest and your support. Below is our Autumn 2019 Table of Contents…
TABLE OF CONTENTS
by David Ansley
A neighbor plunked down an immense clump of what looked like pasta noodles. It was a cauliflower mushroom, she said, prized for its taste and texture.
by Adelia Ritchie
Is it a mushroom or a flowering plant? On your walks in the woods from June through September, watch for the ghost plant, Indian pipe, or corpse plant.
by Mahathi Mangipudi
From truffles to the seasonal expressions of the cycle of life in our forests, here are three poems about mushrooms written by a high school junior.
by Foto Expedition Participants
Here are 23 selected photos submitted by participants of the First Forest Foto Expedition offered by Kitsap’s WSU Extension on June 4, 2019.
by John F. Williams
This photo essay showcases a variety of additional mushroom photos, especially ones that raise some informal questions or observations about life cycles and relationships.
by Olaf Ribeiro
Actually, there is much more (conceptually and physically) to mushrooms than the colorful forms above ground that so delight us during our walks in the woods.
by Catherine Whalen
We share the forest with some remarkable species that have potentially toxic defense mechanisms. One of these wondrous animals is the yellow-spotted millipede.
by Sara &Thomas Noland
In the fantastical world of fungus, it’s hard to stand out. But the lichens have managed to do just that, from mountain peaks to shorelines.
Publisher: John F. Williams
Editor: Adelia Ritchie
This magazine is a nonprofit project of:
P.O. Box 1407 Suquamish WA 98392
Copyright SEA-Media, 2019.
All rights reserved. Reproduction in whole or in part without consent of copyright owner is strictly prohibited.
SEA-Media is a 501(c)(3) nonprofit corporation
Extra special thanks to: Susan Merril, Sheila Kelley, Kathleen Thorne, and all of the credited authors and image contributors.